Arts
In Conversation with Jenny Hata Blumenfield | Ceramics Now, 2025
Dave Smith: ‘L.A. Bound’ | The Trophy Room, 2024
Simone Leigh’s Sublime Survey Reaches Los Angeles | Ceramics Now, 2024
Patrick Pipkin-Arnold: ‘Portraits’ | The Trophy Room, 2024
J. Bradley Greer: ‘Prochromatism’ | The Trophy Room, 2024
Candace Garlock: ‘Grid-Body-Place’ | The Lilley Museum of Art, 2024
The 2024 Bombay Beach Biennale | Southwest Contemporary, 2024
Group Exhibition: ‘May Flowers | The Trophy Room, 2024
Diné Writer Brendan Basham Transmute Words into Worlds | Southwest Contemporary, 2024
Eleanor Arbor: ‘Death Bloom’ | The Trophy Room, 2024
Erria in Print: Issue 2 - Ceramic Artists | Erria, 2024
Erria in Print: Issue 1 - Furniture Makers | Erria, 2024
Karla Garcia’s Clay Landscapes Challenge the Lines That Divide Us | Southwest Contemporary, 2024
Amalia Angulo: ‘Sweethearts’ | The Trophy Room, 2024
Work in Progress with Tyler Burton | Southwest Contemporary, 2024
Elaine Parks and the Art of Paying Attention to Everything | Southwest Contemporary, 2024
Work in Progress with John Flores | Southwest Contemporary, 2024
Del Harrow Fuses Clay and Computer | Southwest Contemporary, 2023
‘Mythopoetica’ at the Palm Springs Art Museum Delves into the Symbols and Stories of the Desert | Southwest Contemporary, 2023
Work in Progress with Ruby Barrientos | Southwest Contemporary, 2023
Hannah Eddy Paints Life and Death in Technicolor | Southwest Contemporary, 2023
The Reno-Tahoe International Art Show | Southwest Contemporary, 2023
Etc.
Seeing Yourself | runt magazine, 2025
Along a Transform Fault | Northwest Review, 2024
Twin Tracks | Southwest Contemporary Vol. 9: Living Histories, 2024
Film Diaries: Naruto | In the Mood Magazine, 2023
Pentaprism | The Champagne Room (print), 2023
The Fossil Labs | The McNeese Review (print), 2023
Obsession as Catharsis in ‘Souvenirs from Paradise’ | Chicago Review of Books, 2022
Bunny Ears | The Dillydoun Review, 2022
The Weight | Heavy Feather Review, 2022
Cypress as Self-Portrait | Masque & Spectacle, 2022
Feminine Constraint (One Morning) | Farside Review, 2022